A letter from Montevideo

We recently spent a day photographing inside the Vulcano-Eolo complex in Montevideo’s Palermo neighbourhood. Designed by architect Walter Pintos Risso between 1954 and 1966, these protected heritage buildings stand as a remarkable example of Uruguayan modernism.

Conceived according to the modernist ideal of the “building in the green,” Vulcano-Eolo was part of a larger development of four residential blocks facing the Rambla, Montevideo’s waterfront promenade that runs along the Río de la Plata, set back within a generous landscaped strip that connects the city to the river.




Their strict geometry, transparent entrance halls and rhythmic balconies express the clarity and openness characteristic of mid-century modern architecture, while remaining deeply rooted in Montevideo’s urban landscape.

The vibrant 1957 mosaic by Uruguayan artist Carlos Páez Vilaró, filled with symbols of carnival and everyday life, became the starting point for a series of looks celebrating summer, layering and the joy of getting dressed.

Through these images, we wanted to share a small glimpse of Montevideo with you: a city that continues to inspire ound, and whose quiet beauty is best discovered slowly, by those willing to wander and pay attention.




We made a special playlist of Uruguayan music (click here to listen) for you to enjoy. Moving between candombe and contemporary sounds, and inspired by the vibrant spirit of Páez Vilaró’s mural, it brings together artists such as Lágrima Ríos, Jorge Drexler and Juan Campodónico.

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